| Company: |
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United Artists |
| Year: |
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1931 |
| Genre: |
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Comedy |
| Runtime: |
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87 min. |
| Country: |
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USA |
| Language: |
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English |
| Color: |
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Black & White |
| Sound Mix: |
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Silent |
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Technical Specifications
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ŚWIATŁA WIELKIEGO MIASTA
City Lights
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| Directed by: |
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Charles Chaplin |
| Writing credits: |
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Charles Chaplin Harry Clive Harry Crocker |
| Produced by: |
|
Charles Chaplin |
| Original Music: |
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Charles Chaplin José Padilla |
| Film Editing by: |
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Charles Chaplin Willard Nico |
| Cinematography: |
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Roland Totheroh Gordon Pollock |
| Second Unit Director or Assistant Director: |
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Albert Austin Henry Bergman Harry Crocker |
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more: photo gallery |
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Cast overview:
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| Charles Chaplin |
.... |
A Tramp |
| Virginia Cherrill |
.... |
A Blind Girl |
| Florence Lee |
.... |
The Blind Girl's Grandmother |
| Harry Myers |
.... |
An Eccentric Millionaire |
| Al Ernest Garcia |
.... |
The Eccentric Millionaire's Butler |
| Hank Mann |
.... |
A Prizefighter |
| Jean Carpenter |
.... |
Extra in restaurant scene |
| Jack Alexander |
.... |
Extra in boxing scene |
| T.S. Alexander |
.... |
Doctor |
| Victor Alexander |
.... |
Superstitious boxer |
| Albert Austin |
.... |
Street sweeper/Eddie Mason |
| Harry Ayers |
.... |
Cop |
| Eddie Baker |
.... |
Boxing fight referee |
| Henry Bergman |
.... |
Mayor/Blind Girl's downstairs neighbor |
| Betty Blair |
.... |
Woman at center of table in restaurant |
| Marie Cooper |
.... |
Dancer |
| Tom Dempsey |
.... |
Boxer |
| Peter Diego |
.... |
Man in mix-up with coat and hat |
| James Donnelly |
.... |
Steet sweepers foreman |
| Ray Erlenborn |
.... |
Newsboy |
| Mrs. Garcia |
.... |
Woman at left of table in restaurant |
| Milton Gowman |
.... |
Extra in street scene |
Trivia:
Charles Chaplin re-shot the scene in which the Little Tramp buys a flower from the blind flower-girl 342 times, as he could not find a satisfactory way of showing that the blind flower-girl thought that the mute tramp was wealthy.
Charles Chaplin's first film made during the sound era. He faced extreme pressure to make the film as a talkie, but such was his popularity and power in Hollywood that he was able to complete and release the film as a silent (albeit with recorded music) at a time when the rest of the American motion picture industry had converted to sound.
In terms of years, this film was Charles Chaplin's longest undertaking. It was in production from 31 December 1927 - 22 January 1931, over three years. It shot for only 180 days, though.
At the beginning of the film, a town official and a woman dedicating the statue can be heard uttering nondescript words by way of a paper reed mouth instrument. The sounds were made by Charles Chaplin and this was the first time that his voice was heard on film.
When the film opened on 31 January 1931, Albert Einstein joined Chaplin at the theater. When the film opened in England, George Bernard Shaw joined him.
Orson Welles said that this was his favorite movie of all time.
The famous Flower Girl theme was written by José Padilla.
Visa d'exploitation en France #10182
At one point, Virginia Cherrill came back to the set late from an appointment, keeping Charles Chaplin waiting. Chaplin, whose relationship with Cherrill was not friendly, fired her on the spot. He intended to reshoot the film with Georgia Hale, his heroine from The Gold Rush (1925), playing the flower girl; he even reshot the final scene between the tramp and the flower girl with Hale in the role. However, Chaplin had already spent far too much time and money on the project to start over. Knowing this, Cherrill offered to come back to work - at double her original salary. Chaplin reluctantly agreed and the film was completed
Synopsis:
Talkies were well entrenched when Charles Chaplin swam against the filmmaking tide with this forever classic that's silent except for music and sound effects. The story, involving the Tramp's attempts to get money for an operation that will restore sight to a blind flower girl, provides the star with an ideal framework for sentiment and laughs. The Tramp is variously a street sweeper, a boxer, a rich poseur, and a rescuer of a suicidal millionaire. His message is unspoken, but universally understood: love is blind.
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