| Company: |
|
First National Pictures |
| Year: |
|
1923 |
| Genre: |
|
Comedy |
| Runtime: |
|
59 min. |
| Country: |
|
USA |
| Language: |
|
English |
| Color: |
|
Black & White |
| Sound Mix: |
|
Silent |
|
|
Technical Specifications
|
|
|
|
|
PIELGRZYM
The Pilgrim
 |
| Directed by: |
|
Charles Chaplin |
| Writing credits: |
|
Charles Chaplin |
| Produced by: |
|
Charles Chaplin |
| Film Editing by: |
|
Charles Chaplin |
| Cinematography: |
|
Roland Totheroh |
| Production Design: |
|
Charles D. Hall |
| Unit Publicist: |
|
Elsie Codd |
| Second Unit Director or Assistant Director: |
|
Charles Reisner |
| Seamstress: |
|
Mother Vinot |
|
|
more: photo gallery |
|
 |
Cast overview:
|
| Charles Chaplin |
.... |
The Pilgrim |
| Edna Purviance |
.... |
Miss Brown |
| Kitty Bradbury |
.... |
Mrs. Brown, Edna's Mother |
| Syd Chaplin |
.... |
Eloper/Train Conductor /Little Boy's Father |
| Mack Swain |
.... |
Deacon |
| Mai Wells |
.... |
Little Boy's Mother |
| Dean Riesner |
.... |
Little Boy |
| Loyal Underwood |
.... |
Elder |
| Charles Reisner |
.... |
Howard Huntington, Crook |
| Tom Murray |
.... |
Sheriff Bryan |
| Henry Bergman |
.... |
Sheriff on Train/Man In Railroad Station |
| Phyllis Allen |
.... |
Congregation Member |
| Phyllis Allen |
.... |
Congregation Member |
| Frank Antunez |
.... |
Bandit |
| Sarah Barrows |
.... |
Bit Part in Church Scene |
| Monta Bell |
.... |
Policeman |
| Edith Bostwick |
.... |
Congregation Member |
| George Bradford |
.... |
Bit Part in Church Scene |
| William Carey |
.... |
Bit Part in Church Scene |
| George Carruthers |
.... |
Bit Part in Church Scene |
| Marion Davies |
.... |
Congregation Member |
| Laddie Earle |
.... |
Congregation Member |
Trivia:
This was the last film in which Charles Chaplin co-starred with Edna Purviance. Chaplin would direct and have a cameo in her next film, A Woman of Paris (1923) and produce her lost film, A Woman of the Sea (1926), and she would have cameos in a couple of his later films, but this was their last major acting work together.
The bratty boy was played by Dean Riesner, associate director Charles Reisner's son. In later years, Dean recounted how he did not want to slap Charles Chaplin's face, even though the story called for him to do so. So Chaplin and his brother/co-star Sydney Chaplin continually slapped each other's faces to convince Riesner what fun it was.
Synopsis:
CHARLIE CHAPLIN is an escaped convict mistaken for the new pastor upon arriving in a small Mexican town and greeted by Deacon MATT SWAIN and a few members of his congregation.
Although there are pratfalls for the comedian right from the start, this is a mistaken identity comedy that depends more on sight gags than frantic slapstick and has some charming moments.
One of the funniest sequences has him delivering his first sermon at the church, based on the tale of David and Goliath, amusing mainly for the young boy who doesn't find the sermon boring. Some funny business with baking a cake while distracted and pouring the dough over someone's bowler hat stands out, as does the business with his former jailmate who wants to steal money from the Deacon but meets with resistance from Charlie who has fallen in love with an innocent girl (EDNA PURVIANCE) and wants to go straight. There's also the scene with the hyperactive little brat, a boy who drives Chaplin and brother SYD CHAPLIN insane with his unrelenting pranks.
Chaplin was still polishing his craft at this time, but it's not one of his best comedies. Needless to say, even lesser Chaplin is worth watching and so is this one, given a brisk background score including a ballad written by Chaplin.
|
|
|